the
cell in association with Thursday Productions, presents
PILLOW
ON THE STAIRS
By
Brona Crehan
Featuring
BRONA
CREHAN, JAQUELINE KEALY, JOHN McCONNELL
Directed
by JOHN KEATING
Stage Manager: MACKENZIE MEEKS
Lighting Designer: GERTJAN HOUBEN
Sound Designer: M. FLORIAN STAAB
Photography: CAROL ROSEGG
Graphic Design: AMY McLERAN
Stage Manager: MACKENZIE MEEKS
Lighting Designer: GERTJAN HOUBEN
Sound Designer: M. FLORIAN STAAB
Photography: CAROL ROSEGG
Graphic Design: AMY McLERAN
Pre-show
music: The Chieftans, and "Sweet Ellen" composed by Mary Crehan,
arranged and performed by Daniel Angioli
the
cell
338 West 23rd Street (between Eighth & Ninth Avenues)
www.thecelltheatre.org
February 11-28, 2015; Opening Night -02/11/15
338 West 23rd Street (between Eighth & Ninth Avenues)
www.thecelltheatre.org
February 11-28, 2015; Opening Night -02/11/15
Brona
Crehan's PILLOW ON THESTAIRS is a play about love,
innocence, denial, and betrayal. A slice
of life in Dublin, Ireland that connects three people for a lifetime but all is
not rosy. The starting point of the story revolves around the question--what
would your life have been like if you made one decision differently.
A
minimalist stage setting. Three chairs. Three actors. It was like a stage
reading but their unique point of views expressed poignantly one at a time, the
others not knowing their counterpoints side of the story. This format deeply
engaged the audience one character at a time.
Annie (Brona Crehan) jilted her boyfriend,
Jim (John McConnell), who wanted to marry her. His rebound
lover, Margaret (Jaqueline Kealy) ends up getting pregnant and
is coerced by Jim to what would be the right thing to do morally, or so they
both thought. Haunted by this one decision for the rest of their lives and the
consequences on their subsequent partners, they delve into the world of
secrets, denials, and betrayal of trust.
The story gives insight into the realities of everyday relationships and ends up leaving the audience in suspense as another twist to the intrigue is later revealed at the end of the play. The audience stays thinking there is another act after the intermission but this is where the story stops leaving it up to the audience's imagination as to how the characters continue on with their lives. I'd recommend seeing Pillow on the Stairs in the quaint theatre setting of the cell.
-
Laura Thompson -
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