Sunday, November 20, 2016

Lost & Found, One-Act Short Play in eMerging Artist Festival in New York City

Chelsea Repertory Company and LAB


e-Merging Artists Festival

244 West 54th Street, 12th Floor, New York City
(Between Broadway and 8th Ave.)

December 1-10, 2016

Tickets: $10 (Cash Only) Reservations: Information: 917-982-5083
Seating is limited: 30 Seats only. Tickets must be claimed no later than 30" before curtain.

Laura Thompson's one-act short play "Lost & Found" is shown during Evening B performances. Laura is very exciting that her play and her friends' plays are being stage produced by wonderful directors and actors at this festival.

Wednesday, October 12, 2016

"London Calling" Again

“London Calling” Again

London's Mayor Sadiq Khan in Manhattan

More than a quarter of a century after the release of the famous single by The Clash, London is calling again. But this time the message arrives not from a punk band: “London is Open” for business was announced by the recently-elected mayor of the British capital, Sadiq Khan, who kicked off his international trade mission to North America in a rainy New York City on Monday, September 19th.

Khan said that the goal of his mission is to strengthen business ties between London and the United States as the two most innovative tech and business hubs of the world.

The Deputy Mayor of London for Business, Rajesh Agrawal, presenting the event referred to London and New York as sister cities during a panel discussion at WeWork Headquarters in New York. The mission is to get US tech and business companies to expand and establish London as the base for European operations as well as for some of London’s fastest growing companies to secure investment and explore export opportunities into America.  

According to a survey commissioned by London & Partners, the Mayor of London’s promotional company, London was the number one destination for US tech entrepreneurs who wanted to establish a European operation because of excellent access to finance, a diverse talent pool, a favorable time zone, and a common language. Mayor Khan said: “Our great city has long been at the very forefront of financial services. When you combine that with our new-found technological expertise, it creates an unrivalled opportunity for companies looking to break into the European market. Despite the country’s decision to leave the European Union, there is no doubt that London will continue to be the booming and successful city it is today, open to talent and creativity from across the world and a leading destination for American business.” This initiative is protecting London’s leading role in Europe post-Brexit.

Going back to the panel discussion, Sarah Wood, Co-founder and Co-CEO of Unruly, which helps make online video ads go viral mentioned that there are more female tech founders in London than in Silicon Valley. Why is that? Kathryn Parsons, Co-founder and Co-CEO of Decoded, which teaches people to code in a day, said that London has a supportive environment, access to investors, people are willing to help and then, pass it forward. Deputy Mayor Agrawal emphasized that women represent 50% of the workforce in the tech space in London. There is good education for children as well as 25 universities, all of which are in the Top 50 in the world. Not to mention fashion for fashionistas, culinary delights for foodies, museums, and concerts. Big urban cities are not only friendly to women, but also have good business infrastructures to help build and grow companies both small and large. Ms. Parsons keenly advocated for women and girls to be digitally competent and have increased confidence in order to lead and thrive. These two female entrepreneurs equally employ men and women but are interested in empowering women and girls.

London is the leading city for foreign direct investment from the United States and the leading destination city for foreign direct investment from New York City. There is synergy between these twin cities. After the panel discussion, London’s Mayor Khan remarked to his New York audience, “The best years are ahead of us. Thank you for being friends to London.” Then, the Mayor and his delegation were off to ring the closing bell at the New York Stock Exchange to further highlight opportunities for trade and investment between London and the United States. 

This article written by Laura Thompson was originally published by the Huffington Post. For more information about Laura Thompson, please visit: Laura Thompson Coaching

Thursday, September 15, 2016



Director: Rene Migliaccio
Text Adaptation: Alessio Bordoni
Performer: Alessio Bordoni
Dancer: Charlotte Colmant
Music: Amaury Groc
Artwork: Estella Dupree
Lighting Design: Cindy Shumsey
Choreography: Charlotte Colmant and Rene Migliaccio
Consultant Choreographer: Eric Pettigrew
Assistant Director of Production: Isabella Schiller

The Flea Theater
41 White Street in TriBeCa, 3 blocks below Canal Street between Broadway and Church Street
Call 212-352-3101 or visit
Tickets can be found at for $20-$30.
September 8 – 25, 2016

Black Moon Theatre Company presents BLISS based on the Tibetan Book of the Dead at The Flea which embodies adventurous theatre Off-Off Broadway. In this new multi-disciplinary production, Artistic Director Rene Migliaccio staged the story through dance, voice, visual projections, and music.

Bliss follows a man’s cycle of life based on the theory of reincarnation performed by Alessio Bordoni. The journey began when he became conscious during the interval between death and rebirth. He was shadowed by a Butoh dancer, Charlotte Colmant, who represented his supra consciousness on the path of liberation from his former body so that he could successfully enter a new body. Between death and rebirth, as the man was striving to awaken to a Higher Consciousness, he experienced a wide spectrum of moods from dark to ethereal. Pictorial screen projections, in front of the performer and dancer, symbolized the various stages of his journey. Music accompanied the actor as he recited his journey. Altogether, this visual and poetic dance odyssey served as an allegorical guide for the living— when all of us will one day cross to the other side of the veil continuing the cycle of reincarnation.

Bliss was written, produced, directed, and performed with the spirit of adventure and is for like-minded audience members and those with open minds.

- Laura Thompson -

Sunday, August 7, 2016

As You Wish





Piano: Andrew Wheeler
Guitar:  Micah Burgess
Bass:  Marc Schmied
Drums: Spencer Inch


The Laurie Beechman Theater at the West Bank Café
407 West 42nd Street, New York City

Visit for more information about the festival.
As You Wish performed August 2 and August 6, 2016

It all started last year when Crystal Kellogg (Creator/Performer) entered New York Music Festival's (NYMF) Next Broadway Sensation and claimed the ultimate prize of having her own solo concert produced by NYMF with collaborators Andrew Wheeler (Creator/Musical Director) and Tom Wojtunik (Creator/Director). Together, they created AS YOU WISH which depicts the ten year long journey of Crystal's foray as an actor/singer in New York City.

Her story was told through her choice of songs with beauty and a sense of humor. How some of her auditions, although creative didn't cut it like her dual perspective of Maria in West Side Story switching back and forth from a girl with a Puerto Rican accent to an opera singer which was actually priceless as a performance.

Onwards towards relationships and singing a song from Andrew Lloyd Webber's 1970  rock opera Jesus Christ Superstar  I Don't Know How to Love Him which brought tears to many audience members. Success, trials and tribulations were part of the mix but winning NYMF's Next Broadway Sensation landed her a new agent and her Broadway debut with the School of Rock (another Webber musical) and presently, with Finding Neverland.

Her Broadway dreams came true and as part of her solo concert, she invited her friends, Kate Rockwell and Justin Sargent to perform skits with her that added fun and joy to the overall concert. Crystal Kellogg is certainly a performer to watch.  

Crystal acknowledged that her parents encouraged her to follow her dreams and she did. She ended the concert by saying, "If I'm happy and feeling good, then I must be doing something good." It appeared as though feeling good was the theme of the concert. There were smiles all around. The concert finished with the song Never Can Say Goodbye--appropriate because she wants to return to the stage again and again!

I'd highly recommend to see Crystal Kellogg in upcoming appearances On Broadway and in concert.

- Laura Thompson -
(Certified Executive/Life Coach & Arts & Culture Freelance Journalist)       @LORALIA                  

Friday, June 17, 2016

Satellite Collective presents Dig Dance

Performed at 92Y Harkness Dance Center, Home of Dance Education Laboratory, NYC
June 10-12, 2016

still from "Gran Jericho"
directed by Lora Robertson
presented by Satellite Collective
92Y; Dig Dance

Artistic Director Kevin Draper gave a lovely introduction of the various genres of works to be performed by emerging artists from New York City Ballet and Juilliard and more seasoned artists who recently retired from Alvin Ailey. The program opened up with the spoken word, followed by four works of contemporary ballet, modern dance, a short film and a live string quartet. The multidisciplinary approach proved to be an interesting paradigm with some collaboration between the musicians and dancers.

The dancers were beautiful, the musicians talented, although the music was not for everyone's ears. The short film by Lora Robertson with the protagonist dancing around a steeple seemed a bit long. Satellite Collective brought the steeple physically to the space so it would have been more creative to have had the dancers dance around the real steeple as a surprise for the audience after the short film ended or during the short film.

The last dance was about kindred spirits or lovers who portrayed a relationship that was appreciated, then spurned with retreat, to turn back into the embrace of one another resembling a typical sequence to most types of relationships. Or was the story about the beginning, maturation, and death of a relationship, to be reborn again?

 Overall, the interdisciplinary program showcased new works but it needs fine tuning.
- Laura Thompson -

Tuesday, May 10, 2016

Leonard Nimoy's Vincent





Starring JAMES BRIGGS as Theo Van Gogh

Directed by DR. BRANT POPE

Lighting Design:  SCOTT PINKNEY
Costume Design:  BARBARA POPE
Scenic Design:  JAMES BRIGGS
Sound Design:  JAMES BRIGGS
Press Representative:  CHARLIE SIEDENBURG
Marketing/Advertising:  RED RISING MARKETING

Theatre at St. Clement's
423 West 46th Street, New York, NY 10036

April 1 - June 5, 2016

Leonard Nimoy's Vincent has made its Off-Brodway debut starring James Briggs as Vincent's brother Theo who tells the tragic story with brotherly love. It's a one-man show based on their correspondence through letters. The setting is August 5, 1890 in Paris, France.

Nimoy delves into parts of Vincent that perhaps the world was unaware of like Vincent being a lover of God who wanted to be a preacher like his parents but it didn't work out, then he became an artist, a lover of art. He devoted his life to art and produced over 70 paintings during the last 100 days of his life. One of his paintings finally sold for 400 French francs right before he died. The relationship between the brothers was very close and Theo died six months after Vincent.

It's a difficult story to portray by one actor but Briggs did a good job. The content in the letters told the stories of Vincent's journey through life spiritually, emotionally, physically, and psychologically. It's said he wasn't mad only suffered from Epilepsy, later determined a genius. The nice part of the set design was that it showcased Vincent's most famous paintings that brought the whole story into perspective.

If you love Vincent Van Gogh's paintings, then I'd recommend to see this play and learn about his life from his brother's Theo's perspective through their letters and their strong bond.

- Laura Thompson -

Tuesday, April 12, 2016

Ballet Hispanico at The Joyce Theater

Performed its 45th Anniversary New York Season at The Joyce Theater from April 5-10, 2016

New York Premiere of Flabbergast by Gustavo Ramirez Sansano
Bury Me Standing by Ramon Oller
Club Havana by Pedro Ruiz

The Joyce Theater
175 Eighth Avenue  (at 19th Street), New York City

Ballet Hispanico is touring the world, please visit their website for more information.

Artistic Director and CEO Eduardo Vilaro commented that the program this year reflected the "breadth and range of the company over the past 45 years of artistic reflection" and the works of the choreographers honor Ballet Hispanico's ballet legacy fused with eclectic contemporary dance that portrays America's diversity.

Ballet Hispanico, the nation's premier Latino dance organization, presented three programs. It began with Choreographer's Gustavo Ramirez Sansono's Flabbergast, a story about immigrants with preconceived notions concerning a new and foreign land and it was done with humor and fast-moving, stylistic modern dance set to the music of Juan Garcia Esquival.

The second program was Bury Me Standing choreographed by Ramon Oller with traditional gypsy melodies and flamenco music by Lole y Manuel. Oller created this piece based on the culture of the Gypsy or "Roma" people that reflected their strong communal bonds, sensuality, feelings of oppression and longing and strength. The sensual music was felt in the heart and soul of audience members who were moving their bodies rhythmically in their seats. It felt like a Latino counterpart to Alvin Ailey, the dance troupe that celebrates African-American ethnic traditions.

The third and last program was Club Havana choreographed by Pedro Ruiz set to Latino dance music like the Mambo, Cha Cha Cha, Bolero, Rhumba and Conga. It was a fusion of modern dance and ballet with Latin dances. It's a portrait of glamorous Havana of the 1950s during the heyday of Cuban music, dance, and nightlife. It ended with a Latin social dance under confetti which was magical.

Overall, the Ballet Hispanico dancers are wonderful to watch and they portray their characters so the stories are understood. The dancers can bend in every direction, leap, strut, and engage in inventive partnering moves. At the end of the entire program, one feels real joy.

I would highly recommend to go to Ballet Hispanico's other performances throughout the year whether in the United States or around the world.

- Laura Thompson -